BEGIN:VCALENDAR VERSION:2.0 CALSCALE:GREGORIAN PRODID:adamgibbons/ics METHOD:PUBLISH X-PUBLISHED-TTL:PT1H BEGIN:VEVENT UID:634@backend.prikbord.page SUMMARY:Broken Hearts DTSTAMP:20260502T192540Z DTSTART:20260524T130000Z DTEND:20260524T153000Z DESCRIPTION:BROKEN HEARTS\nBroken Hearts is a duo of performance-based even ts\, bringing tenderness\, love\,\ncare\, and different ways to contemplat e sorrow\, process anger\, or simply forget\nfor a moment. The first event is happening on Sunday May 24th. The second event\nwill happen on Sunday June 7th.\nAcross two days\, four performances unfold\, each approaching h eartbreak from a\ndifferent angle. Alongside this\, a market gathers local small businesses\noffering things that can accompany your state. From art to satisfy your eyes\, to\nfood to meet your mouth\, to massages to relax your body\, to alcohol to loosen\nup.\nThe project is put together with c are by Kapish\, and held within the arms of\nRoodkapje West.\nA freely acc essible event\, where you can stay between performances\, have a\ncoffee\, move through the market\, or take distance when needed. A seemingly\ncasu al setting\, shaped by the work and trust of the artists\, the team\, and the\nspace.\nBe ready to cry\, laugh\, or simply stay.\n\nTIMETABLE\n15:00 –15:30\nYalla Tnam by Rebecca Lillich // Krüger & Ahmad Mallah\n16:00–16:2 0\nA Practice of Becoming\, Still by Michel Wang / 王敏亘\n\nYalla Tnam\nYall a Tnam (ياهلا تنام) is a ritual performance\, a composed echo of grief\,\n protest\, and survival.\nThrough voice\, sound\, and movement\, Ahmad Mall ah and Rebecca Lillich // Krüger\ninvite the audience into a moment of col lective mourning and transformation. The\nperformance interweaves Fairuz’s lullaby "Yalla Tnam" with Syrian grief rituals\nthat emerged during the e arly years of the Syrian Revolution.\nMallah’s voice\, processed live\, be comes a rhythm of endurance\, while Lillich //\nKrüger responds through em bodied gestures moving between care and violence.\nThe work unfolds betwee n personal and political layers\, touching on migration\nhistories and the complexity of relating to the Netherlands as both refuge and\nplace of di splacement.\nLanguage: Arabic and English\n\nAhmad Mallah & Rebecca Lillic h // Krüger\nAhmad Mallah and Rebecca Lillich // Krüger are an Amsterdam-b ased performance\nduo intersecting the personal and political. Their work uses open symbols to\ngenerate reflection\, introspection\, and connection .\nTheir earlier works\, The Ladder (2023) and The Price of Bricks (2024)\ , revolve\naround singular objects and unfold as action-based performance happenings. Their\nmore recent works\, including pulling blood from stone (2025) and Yalla Tnam\n(2026)\, move towards surrealism and song-based str uctures\, combining gesture\,\ncostume\, and voice.\n\nA Practice of Becom ing\, Still\nA Practice of Becoming\, Still stays with heartbreak as an on going process rather\nthan a fixed moment.\nThrough an immersive and atmos pheric approach\, the work follows a body moving\nthrough uncertainty\, se nsing\, repairing\, and continuing to become. It is rooted\nin personal ex perience and ongoing artistic research.\nLanguage: Mandarin and English\n\ nMichel Wang / 王敏亘\nMichel Wang is a Taiwanese interdisciplinary artist ba sed in the Netherlands.\nWorking across fashion\, performance\, installati on\, and publishing\, their\npractice explores queer hybridity\, transform ation\, and belonging through tactile\nmaterials and speculative storytell ing.\nDrawing from personal sensations\, Asian queer experiences\, and cyb erfeminist\nthought\, Michel creates intimate and poetic environments wher e bodies\,\ntechnologies\, and materials intertwine. URL:https://backend.prikbord.page/event/broken-hearts GEO:51.909661;4.432299 LOCATION:Roodkapje West - Keileweg 10A 3029 BS\, Rotterdam STATUS:CONFIRMED CATEGORIES:libspeciaal::source::stager,libspeciaal::source::stager::roodkap je,Live,Significant others,libspeciaal::uid::roodkapje::111618795,libspeci aal::lastmod::1776960017763 X-ALT-DESC;FMTTYPE=text/html:

BROKEN HEARTS
Broken Hearts is a duo of performance-based events, bringing tenderness, love, ca re, and different ways to contemplate sorrow, process anger, or simply for get for a moment. The first event is happening on Sunday May 24th. The sec ond event will happen on Sunday June 7th.
Across two days, four perfo rmances unfold, each approaching heartbreak from a different angle. Alongs ide this, a market gathers local small businesses offering things that can accompany your state. From art to satisfy your eyes, to food to meet your mouth, to massages to relax your body, to alcohol to loosen up.
The project is put together with care by Kapish, and held within the arms of R oodkapje West.
A freely accessible event, where you can stay between performances, have a coffee, move through the market, or take distance whe n needed. A seemingly casual setting, shaped by the work and trust of the artists, the team, and the space.
Be ready to cry, laugh, or simply s tay.

TIMETABLE
15:00–15:30
Yalla Tnam by Rebecca Lillich // Krüger & Ahmad Mallah
16:00–16:20
A Pract ice of Becoming, Still by Michel Wang / 王敏亘

Yalla Tnam
Yalla Tnam (ياهلا تنام) is a ritual performance, a composed echo of grief, protest, and survival.
Through voice, sound, and movement, Ahmad Mallah and Rebecca Lillich // Krüger invite the audience into a mome nt of collective mourning and transformation. The performance interweaves Fairuz’s lullaby "Yalla Tnam" with Syrian grief rituals that emerged durin g the early years of the Syrian Revolution.
Mallah’s voice, processed live, becomes a rhythm of endurance, while Lillich // Krüger responds thr ough embodied gestures moving between care and violence.
The work unf olds between personal and political layers, touching on migration historie s and the complexity of relating to the Netherlands as both refuge and pla ce of displacement.
Language: Arabic and English

Ahmad Mall ah & Rebecca Lillich // Krüger
Ahmad Mallah and Rebecca Lill ich // Krüger are an Amsterdam-based performance duo intersecting the pers onal and political. Their work uses open symbols to generate reflection, i ntrospection, and connection.
Their earlier works, The Ladder (2023) and The Price of Bricks (2024), revolve around singular objects and unfold as action-based performance happenings. Their more recent works, includin g pulling blood from stone (2025) and Yalla Tnam (2026), move towards surr ealism and song-based structures, combining gesture, costume, and voice.

A Practice of Becoming, Still
A Practice of Bec oming, Still stays with heartbreak as an ongoing process rather than a fix ed moment.
Through an immersive and atmospheric approach, the work fo llows a body moving through uncertainty, sensing, repairing, and continuin g to become. It is rooted in personal experience and ongoing artistic rese arch.
Language: Mandarin and English

Michel Wang / 王敏亘
Michel Wang is a Taiwanese interdisciplinary artist based in the Net herlands. Working across fashion, performance, installation, and publishin g, their practice explores queer hybridity, transformation, and belonging through tactile materials and speculative storytelling.
Drawing from personal sensations, Asian queer experiences, and cyberfeminist thought, M ichel creates intimate and poetic environments where bodies, technologies, and materials intertwine.

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